In animist thought, everything — from stones and trees to bones and tides — holds presence and agency. While walking the island’s coastline, I became drawn to the overlooked: fragments of cuttlefish bones, patterns in the cliffs, and shifting light that seemed to animate the landscape. These encounters challenged my habitual way of seeing, inviting a slower, more attuned way of engaging with my surroundings.
By embracing the fragmented, the ephemeral, and the unseen, Wyld invites viewers to reconsider their own relationship with nature — not as something distant or decorative, but as something alive, intertwined, and continuously unfolding.
movementofbird Wyld (14)
Show more— analog photography
2024
In animist thought, everything — from stones and trees to bones and tides — holds presence and agency. While walking the island’s coastline, I became drawn to the overlooked: fragments of cuttlefish bones, patterns in the cliffs, and shifting light that seemed to animate the landscape. These encounters challenged my habitual way of seeing, inviting a slower, more attuned way of engaging with my surroundings.
By embracing the fragmented, the ephemeral, and the unseen, Wyld invites viewers to reconsider their own relationship with nature — not as something distant or decorative, but as something alive, intertwined, and continuously unfolding.
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